First to the right, second on the left
Of Human Bondage“First to the right, second on the left” is Philip Carey’s recurring direction to customers at Lynn and Sedley, where he works as a shop-walker. First spoken as useful guidance through the department, it becomes an automatic refrain of monotonous labor—and, when Philip later repeats it to Lawson, an ironic shorthand for the gulf between his former hopes and his present circumstances.
A Direction Learned by Repetition
Philip’s work requires him to guide customers through the store, and the phrase gives that task its simplest verbal form. After a few days, he answers questions mechanically: “First to the right. Second on the left, madam.” The instruction is not an isolated incident but an iterative part of his daily routine, repeated as he directs shoppers around the department.
The words belong to a working day organized by strict hours and physical demands. Philip begins again at half past eight after breakfast; at five he is sent up for tea, and work ends at half past six. He is exhausted by the close of the day. His feet hurt so badly that at first he can hardly walk, and he spends evenings with them in a pail of cold water. Against this bodily strain, the brisk, precise directions sound like the small language of a job that leaves little room for thought.
Work, Class, and Self-Presentation
The refrain belongs to a job Philip finds difficult to acknowledge. When Lawson learns what he does, Philip says he is a shop-walker, then supplies a deliberately vivid picture of himself in a frock coat, directing women who want petticoats or stockings. He repeats the customer instruction as the punchline. The performance lets him make a jest of the occupation, though Lawson is embarrassed by the picture and recognizes the change in Philip’s position.
That contrast resonates with the novel’s attention to class markers and social standing. Philip has already encountered the importance attached to public-school and university education, speech, and clothing in defining a gentleman. At Lynn and Sedley, the phrase instead identifies him with a service role: he is the person who knows where customers should go. Its repeated politeness does not erase the status difference implicit in the work; Philip’s rueful delivery makes that difference part of the phrase’s meaning.
From Practical Speech to Refrain
The wording recurs in several forms. Philip first gives a customer the short direction, “First to the right. Second on the left, madam.” Later he answers another request with a longer route: “Second to the right, madam, and down the stairs. First on the left and straight through. Mr. Philips, forward please.” The changing directions retain the same clipped, procedural cadence, while the call for Mr. Philips interrupts the stream of customer guidance with another piece of store routine.
When Philip describes his occupation to Lawson, he returns to the first formulation almost exactly. In the department it directs customers; in the conversation with Lawson it directs attention to Philip’s own changed life. The repeated sentence thus carries both the ordinary function of his work and the self-conscious irony with which he presents it. Its force comes not from a grand declaration but from the return of the same words under a new social light.